We are delighted to share these images of Brewton works, professionally photographed by Vera Carbo. Many thanks to the owner of these works, and to Vera, for making them available.

Top row, from left:
Portrait of Asger Jorn. 1964, oils on canvas, 51.5" x 37.25" (including frame).
Solitary Penitent. n.d., oils on canvas.
Untitled self-portrait. n.d., oils on canvas.
The Key to Birmingham. 1964, metal construction with souvenir key, 12" x 12" (not including key).

Middle row, from left:
Untitled. n.d., oils on canvas.
Portrait of Barry. 1966, oils.
Untitled. n.d., oils on canvas.
Untitled. n.d., oils on canvas.

Bottom row, from left:
Untitled. n.d., oils on canvas.
Portrait of Marianne. 1965, oils.
Conie. n.d., oils on canvas.

​I’m thrilled to announce that Jason Broede, Carol Broede, and Eric Olson have donated six exquisite artworks to the James E. Brewton Foundation. We are deeply grateful for this generous gift: The Pataphysics Times and The Chinese Lincoln prints, a portrait, and three outstanding abstract mixed-media works.

​Ubu’s Military Mind is a fantastic portrait, in metal and miscellany, of Alfred Jarry’s monstrous Père Ubu character. The earliest piece in this collection, it showcases important elements of Jim’s creative development, when he began using Jarry’s concept of ’Pataphysics as the engine for his artistic practice, which he called “Graffiti Pataphysic.”  

The piece was most recently shown at Jim’s first solo show since 1971, “Graffiti Pataphysic, for all mankind,” 21 March-1 May 2014, at Slought, 4017 Walnut St., Philadelphia.

Jim’s flair for elevating mundane materials is especially apparent in X and An Egg Carton for the Wall. 

X, a square mixed-media work on canvas, is a magical piece: with discarded silverware packaging, Jim conjured an ancient frieze depicting some sort of supplication to the sun. “X” refers to the small white “x” Jim stenciled onto the canvas, marking the spot where he’d stuck a perfume ad from a magazine and then peeled it off. “X is truly a show-stopper,” says Carol, “and it was such fun to take a look once in a while at The Pataphysics Times and read something.”

The Brewton Foundation’s board of directors and I are extremely grateful to Jason Broede, Carol Broede, and Eric Olson, for their generosity.

These beautiful works are important examples of Jim’s Graffiti Pataphysic practice, and we're thrilled to have them in the Brewton Foundation collection.

Yours,

... in a New Hope, Pa., collection: